Lambgoat.com - hardcore music and metal musicLordsLambgoat
NewsReviewsBandsFeaturesBoardAboutBlogHome
Monday, January 05, 2009
Related Links
Malevolent Creation band page
interview index
features
meet our staff

Compton Records

All Shall Perish


Features > Interviews > Malevolent Creation

Malevolent Creation interview
4660 views
Interview conducted by Mike Gluck in October, 2005. Posted on 12/28/2005.

This interview was conducted in October between Michael Gluck of Lambgoat, and Phil Fasciana, founding guitarist of Florida death metal legends Malevolent Creation. Earlier this month, original vocalist Brett Hoffman rejoined the band for upcoming touring and potentially the band's monumental tenth studio album, set for release next summer on Nuclear Blast, although at the time of this interview, Hoffman was clearly unwelcome in the band.

comments (15) [post comment]


Hello?

Hi, is Mike there?

Speaking.

Is this Mike?

Yes sir.

Hey, this is Phil from Malevolent.

How are you Phil?

Good, how ya doing man?

Good, thanks for calling finally!

(laughs) Yeah, dude, I totally... I just fuckin' walked in my door, I've been running around and shit, I woke up late.

That's all good, so how are things going, how was your weekend?

Good, well tomorrow Obituary's playing down here, I haven't seen them guys in a while so I'm gonna get psyched up to party tomorrow for that, which should be cool.

That's awesome, I wish they'd come here, they haven't been here in at least four or five years.

Where's that?

In Montreal.

Oh yeah, this tour they're doing, it's just a small one I guess, they just did two or three weeks with Napalm Death. But I know we're gonna make our way up there. All the guys in Malevolent's criminal records are clean now (laughs), so we can actually get into Canada without any problems.

(laughs) Beautiful! That's one of the questions I was going to ask you: Why haven't you been up here in at least five or six years?

Yeah, that's part of the reason. In 1999 we got arrested, our bus got pulled over, and they found like 3 ounces of weed that our drummer had and...

(laughs)

We had to clear that stuff up for a couple of years, but now everybody's records are clean, and we're able to go into Canada without any problems, so... we're recording our new album in January, and I think we're gonna start a U.S. tour, a North American tour, I guess we might do it with us, Hate Eternal co-headlining, and then have two other bands on the bill.

That sounds awesome.

We might do that, we're definitely gonna do something after we record the album. Get on the road and do some shows.

Well, the new Hate Eternal album is an excellent record, better produced than the last two, that's for sure.

Actually man, these guys work down here, I've only heard it without the vocals, not even the finished copy (laughs), I've gotta get a copy from their drummer.

They played here when they did a small tour about two months ago.

Yeah I know, we were on tour the same time they were, and I heard that they had a lot of problems, so they went through like six different vans.

True, because a friend of mine, Carl Bouchard from A Perfect Murder, rescued those guys just in time to do the Montreal show... they were in the middle of nowhere. Have you heard of his band?

I've heard of them, yeah.

They kind of change their style every album, now their sound is on the Pantera tip, on Victory Records, trying to appeal to both the metal and hardcore scenes. Not doing so well commercially, but nice guys. So they rescued Hate Eternal and you'd think the fans would have been happy to see them arrive finally, but there were no more than fifty people at the show.

Really!?

True story, it was Hate Eternal, Jungle Rot, Krisiun, Into Eternity, and All Shall Perish, and there were probably even less than fifty people there.

Are you serious!?

I'm totally serious. I mean, the show was widely advertised on fliers for months. But you know, what's popular now is the trendy stuff like Lamb Of God, Bleeding Through...

Oh I know, all that shit.

All the modern bands that take influence from Malevolent Creation, the early Florida scene, and the mid-nineties Swedish scene, and they pass it off as their own but wear makeup as the new look.

Dude, it's so gay, I can't even believe it. I went to Ozzfest and I couldn't believe how gay it was.

And the fans are eating it up, and bands like Bleeding Through are selling over a hundred-thousand records? That does not make sense to me.

(laughs) It doesn't make sense to me either, I'm like what do I... why the fuck is everyone putting on nail polish and eyeliner, and dying their hair black and parting it on the side... and then you get a record deal, I don't understand.

(laughs) Well that's another one of my questions. How does it feel, seeing bands like Lamb Of God, Bleeding Through, etc. who are heavily influenced by Malevolent Creation, getting so huge? Do you think that the hype following those bands is worthy? Or are they just rehashing an old school death metal sound and adding a catchy political edge?

Oh, totally. I mean, a lot of those bands... I don't want to take anything away from bands, but when I listen to Lamb Of God and a lot of those other bands, I just can tell exactly where they stole all their music from. And a lot of it is old thrash bands, you know, death metal riffs and shit, and they steal a lot of Testament, a lot of Slayer riffs, and I just don't know. I don't know why people are so blind in thinking that this is new and fresh. I can't even listen to them albums because it pisses me off! I can tell where they stole all their music from, man! (laughs)

Same here. It's unbelievable. The only people who seem to know where it came from are the old school fans, so people who are 30 years and older who listened to metal back then... not 30 year olds just getting into it now, who are even worse than the 20 year olds... and also the new fans and critics who have actually done their research and gotten the early Roadrunner, Combat, Relativity, and Century Media stuff, you know?

Oh, it's a joke man. And I just can't understand how people can get into guys dressed like ugly girls, I don't understand it man!

Well, I heard from inside sources that it took Lamb Of God about two weeks to write their new album.

It sounds like it.

And of course, it sold better than the other records because it's easy to digest, insofar as hard stuff goes. But there's so much empty space on that album.

I never even heard the whole album, I heard like a couple of tracks that were on some samplers, (laughs) and fuckin', I just can't get into it! Sounds like rehashed music to me, man. It's like old and dated.

And it doesn't make sense to me that this whole new breed of metal fans who call themselves lovers of death metal and the technical shit, but Malevolent Creation is constantly overlooked in these discussions! The first bands that are mentioned are the ones we talked about, either those who wear makeup, or the ones that are heavy on the politics and image. I don't quite understand why an album like 2003's Will To Kill, or even an album like 2004's Warkult, which was a lot less technical than your earlier albums... I don't understand how albums like that don't just catch fire if everyone says they want good death metal so badly.

(laughs) I don't know man, you'd think that albums like ours, and stuff like that which is just so heavy... people that are looking for heavy music, they don't have to look that far. I mean, I bet if we were wearing fucking eyeliner and nail polish, we'd sell more records (laughs)

Yes, you would. Or maybe if Kyle actually sang one or two of the choruses per song, then maybe you'd sell five or ten thousand more.

Ah well, who cares man. Eventually all that, the trend is gonna die out, people are gonna get sick of putting on makeup (laughs)

Well let's hope so because those bands should be taking a backseat to Malevolent Creation. So, I wanted to ask you what you've been up to since Warkult was released last summer on Nuclear Blast?

Well, last summer, as soon as Warkult was released, we went over to Europe where we played festivals and just some headlining dates. There hasn't been that much action going on since then, we had some problems with our singer Kyle's work schedule, so we had a couple of tour that we had to pass on, because I'm not really into getting a replacement for Kyle. Kyle's the singer and I can't imagine anybody else doing it and doing a good job like he does. But we did do six weeks in the U.S., it was us and Origin and Animosity, and that ended about a month ago. We're going to Puerto Rico next week, gonna do some Puerto Rican dates, and then we have a South American tour that's being lined up and some Mexican shows. But other than that, you know, we're working on the songs for our next album which is going to be our tenth album and we're gonna try to get in the studio in early January, right after New Years' we're gonna fuckin' get this thing together and get it out.

That's some good news right there. Weren't Divine Empire supposed to open for you also?

You know, they were supposed to be on the tour, (laughs) but right before, like maybe a week before the tour they had some big blowout and they ended up breaking up...

...and now they're two Divine Empires!

(laughs) Yeah, they're two, but Jason the bass player/singer, kept the name and he's got three new members. Actually, they all just moved out here, he's got two new guitar players and a drummer, and they all moved down to Florida and he's working with them. But it would have been cool to have those guys on the tour, man. It would have been fun, Jay's kind of a character (laughs)

I heard that he was kicked out of Malevolent Creation, right?

(laughs) Yeah.

And I was wondering if that whole blowout thing showed similar signs of what happened with your band?

Oh no, what happened between me and Jay, it happened in like '97 and as you know, we've been friends for quite a while, even since all that happened. I mean, we play shows with Divine Empire down here, and we would definitely tour with them, there's no kind of hatred towards each other or anything. He's doing his thing and I'm doing my thing, you know it would have been cool to do a tour like this, a lot of people think that we still hate each other, so it would have been good for the people who like to make up drama and shit like that, it would have been kinda funny. You only live once man, you can't stay mad at each other forever.

Yeah, you should try telling that to a lot of hardcore kids whose predominant thematic and lyrical inspiration is based solely on vengeance and vendettas against people for the smallest reasons.

Oh those are all little fucking kids that want to be tough guys, (laughs) you know what I mean? Fuckin' people who talk like that are fuckin' five-foot-two and fuckin' nineteen years old.

You know it.

They go get some tattoos and they think they're bad-asses (laughs).

Overnight, too.

I know man, I've witnessed it all.

The new album from Divine Empire came out in Europe, but it's not out here yet, any idea why?

Yeah, well it's coming out anytime now, it's coming out through a different label. It was supposed to come out through Olympic, but Olympic folded, so I think it's coming out through Crash Records.

Isn't Crash the same label as Pavement who fucked you guys over many times?

Yeah yeah, but I guess they wanted to put it out bad, so they did whatever they could to get it released here in the States, so...

Good luck to them.

Yeah, good luck.

I was looking on Ebay, and I saw that someone from Pavement Records has been selling tons of the old Malevolent Creation stuff in large quantities, did you see that?

No. Really? Someone from Pavement?

Yeah, the username is a seller called "pavecds"...

Ok...

I'm guessing it's the label because it's from the same town, and some person there is selling like thirty CDs per auction, and it's all sealed, looks like overstock to me.

Oh yeah, definitely that guy Mark, he's the president man. You know what? He's released like nine or ten things, music that I wrote, and we've still NEVER received anything from this guy, man. Nothing. I mean, we've been hounding him, he's been avoiding us like the plague, man. I can't even believe he's still in business.

Well if he is, he changed the name of the company.

Yeah, well he did go under, and that's how he could resurface, by changing the name and this-and-that. So now it's Crash Music, and another year it'll be something else. It used to be Grindcore Records and then it was Pavement Records and now it's fuckin' Crash Music. He screws enough people over, then he has to change his name, but you know he still sells his backstock.

That's his pattern it seems.

Yeah that's his pattern, the one he's been doing for the last fifteen years.

So is there any way to get the licensing back for any of those albums released on Pavement?

Believe me, he owes us so much money, that's what we're trying to do. We were trying to just fuckin' get the rights to the albums and just have them, and either sell them to a decent label, and get them released. Because he's re-released Eternal like three or four times already.

Exactly, exactly.

And it makes me sick, man. You know, we go on tour all over the fuckin' world and I see so many different versions of our albums, it's unbelievable. I know it's Pavement, Crash Records, Mark Nawara, I know he's the one who's behind it all. He's the one who makes deals with other companies and releases our albums all over the place, man, and we never get anything out of it.

A lot of bands, some of the best bands, have made label mistakes in their history, and the key to overcoming that is to be smart and keep playing, keep performing and making even better albums on a good label where the people will work hard for you.

Yeah, well that's the only thing we can do, man. We're pretty lucky that we're still able to do that, you know what I mean? Nuclear Blast, you know, it's not like they put a lot into the band or anything (laughs). We're probably the band on their label that they do the least for. No headline tours to help us do this shit, they basically do NOTHING for us except for get the records in some stores, and it's basically up to us to go out and tour, promote it.

Are you happy with how the label promoted Warkult last year?

Well, in America they didn't do shit (laughs) I know that for sure. Because I did like four interviews (laughs). For Europe I did like a hundred and fifty, I had to stay home on my phone for a week (laughs).

No shit!

Four interviews. And you know, that's why they don't do any videos for us, they don't do nothing, they just don't see the purpose of it. The market here is not for this kind of shit. If we maybe changed our fuckin' image, and had like a girl in the band they'd probably do it, but...

(laughs)

As long as it's just five ugly guys, just us playing, man, I don't think it's gonna happen.

Well, on one hand, maybe you won't get the promotional push that all these young bands copying your sound are getting. But at least you'll have a small, loyal fanbase forever.

Oh yeah, I mean I make no money out of this anyways. I'm surprised it's been this long and we're still into doing it, but you know, our next album will just be heavier and heavier than anything we've done before. At least we can look back on this shit years from now and at least we've never fuckin' sold out, you know?

Totally.

We didn't become gay, or try to do something different, or jump on the bandwagon like everyone else does.

I'm still going crazy over how good The Will To Kill was, I just want to know a little more about the writing and recording process for that album. What motivated you to write it the way you did, because it sounds different from all the other Malevolent Creation albums, and what happened to the drummer on that album, Justin DiPinto?

Well you know, the way we do all our records, man. We just come in with a bunch of ideas and we start hammering them out until we feel happy with the song being finished. But as for Justin, it was weird man, he's a really good drummer and great guy and everything like that, but after we were done recording that album he kind of let us know that he was in trouble with the law, and he had some fuckin' felony charges pending, and all this shit, and he wasn't able to leave the state let alone the country to tour. I still talk with the guy to this day, he's great, I mean we never wanted to replace Dave but we couldn't... a long time would have passed if we would have waited for Dave to record that record. We met Justin, and he actually came down and played for us and we were like damn! I was just showing him some of the songs and he just clicked right with it. It was pretty easy working with him, he actually plays a lot like Culross, that was one of his favorite drummers, so it came together pretty easy.

The drums on that album are nuts, great fills, great cymbal work, and all the accents... he was on point throughout it.

Oh yeah, he's a good drummer, I mean it's a shame. I don't even know if he's in a band anymore, I still talk with him but he's got like a good job and shit, and he's kind of afraid to fuck that up. So I told him, "man, you only live once! You can come back and fix cars anytime." Legally he really couldn't do anything at that time though, but it all worked out. We had to have a few substitute drummers fill in on some tours, but for the most part, Dave was able to pick up the slack, and I don't think we're gonna be doing that anymore. We're just gonna stick with this lineup, the tours that we do will be with Dave.

I thought Dave lived up the coast?

He does. He'll be here in a couple of days to rehearse for these Puerto Rican show and stuff, but usually what we do, is we make demos down here and we mail them to Dave. That's how it usually works. Or else I can go up there, or he can come down here for a week or two, and we can demo new material. But working with Dave is a lot easier than working with a stranger, or somebody else. All these years working with Dave, things clicka lot easier. (laughs) Dave's really funny, he's fuckin' fired up. He wants the next album to be fuckin' so fast (laughs).

(laughs)

His drumming, he says "dude, I've been playing so much, that our next record is gonna be so fast, it's ridiculous."

That's beautiful.

You know, it's very hard to find drummers that are that interested in beating the shit out of their bodies like Dave does. And I love Dave like a brother, so we're gonna definitely put a lot of work into this album sinceit's our tenth. Not many bands get that far, and we just want to make sure it's the heaviest fuckin' thing we can put out.

I'm very happy to hear that. You work at Arctic, right?

Yeah, well that's my label, actually me and my lawyers own that.

Ok, well I do work for Lambgoat.com, and on the site I reviewed your live album released earlier this year, Conquering South America. In the package from Arctic I got the Malevolent Creation live album, and the Hateplow live album called Moshpit Murder, and they're both awesome albums. The Malevolent was your first live album. Tony Laureano played on it, performing the songs exactly as on the records... are you still in touch with him and are you proud of the album?

Yeah, well see Tony lives down here. I've known Tony for a long time, he filled in a few times for us during The Will To Kill tour because there were a lot of tours and Dave wasn't able to do all of them, so Tony, he's actually filled in for Malevolent as far back as the '97 European tour (laughs). And with Tony, any band's music he listens to, he can play. So yeah, it would have been harder to do things with a different drummer, because everybody's got their own style, which makes it a little more challenging, but he did a good job on the live album. We're pretty happy with the way it came out, we only had one shot at it, it was the idea of the two record companies, the Brazilian company and Arctic set it up for that show with all the proper gear for recording. I wish we would have had a couple more shows to play, because it was the first show, but for the most part it's as live and live gets.

I thought it was recorded pretty clearly.

For what it was, yeah, but what sucks is that three or four songs got cut out of it because there was a fucked up microphone cord. Some kid, some stage diver landed on Kyle, and it fuckin' snapped the cord or something, man... and four of the songs got fucked up because of the vocals.

Hopefully it's not your last live album, that's for sure.

For this next release, a lot of the touring that we do, we're gonna be doing a lot of recording. Because we've got so many goddamn songs (laughs) that we're bringing back into the setlist and stuff, we've been doing a lot of Stillborn songs.

Oh yeah?

We actually did on this last tour, and we may even re-record a few of them as bonus tracks, because that album was just recorded half-assed with shitty drumming and beat vocals. But when we play those songs now, man, it sounds like a totally different fuckin' band. A lot of those songs are really good, they just didn't come across the right way, the drums aren't fast enough on that album, the vocals fucking suck. Now though, it's like night and day. We were thinking about re-recording the entire album and including it as a bonus CD.

That would be fucking nuts!

I know, but Nuclear Blast would never give us the extra money (laughs) and if we did that it would have to come out of our own pockets.

And there isn't much of that from the new music...

Exactly, we barely get enough money to finish our own recent albums.

It seems to me like the live album doesn't have that much distribution... am I crazy?

Well, I mean, it's got distribution, but it's just not getting a massive push or anything because we can't afford it. I've seen it in some stores, I mean it's distributed through Caroline, so it's not all that bad, but it's not like a major push on it either. Live albums don't really get a big push, and especially a band like us that has no hit singles (laughs).

But it's out there, man. If people really need it that bad they can always find it online.

Let's talk about Hateplow for a bit, what's the status of that band? The last album, The Only Law Is Survival, was beyond brutal and I think I said that I love the live album too. Is there any kind of new stuff coming up in the future?

Yeah, well we've been slowly putting stuff together, man, we always gotta take into consideration that Malevolent comes first, so we're gonna bang one right after we do the Malevolent record, we're gonna bang out the Hateplow record.

That's why Dave's getting so warmed up with the speed stuff, because like, the third Hateplow record, we just want to make it so ridiculously fast (laughs)...

(laughs)

We just want to take all of the death metal elements out of it and just really, really, make a pure grindcore record, so we're gonna do it. I'm kinda glad that we waited instead of rushing and putting a half-assed Hateplow record out. A lot of people are asking about it. We're probably gonna record it out of our own pocket and then probably try to get another deal. And we own the rights to the other two records, so maybe we'll sign a deal where we'll be able to release the new album and have the other two albums as bonus discs.

Or maybe reissue them with new packaging and some bonus tracks for each?

Yeah, we'll try to figure it out, try to make it something special, because with all the pirating and shit these days, you almost have to make every release special and worth buying.

So I heard that your guitarist Rob Barrett is rejoining the increasingly-powerful Cannibal Corpse... is that true? What's his status in Malevolent Creation?

Oh yeah, he's been gone for a while, Jon Rubin our original guitarist has been back in the band for the last six months.

Cool.

It's a long story, but Rob wasn't happy that we weren't constantly touring, and he figured that if he played with Cannibal... I don't even know if he's in the band, but he wants to have a steady job! And them guys just tour like seven or eight months out of the year.

Yeah, they're nuts.

We only tour like three or four months out of the year, but there's a lot more to it, and I'm just glad we got Jon back in the band, because it's a lot easier this way.

Alright, so the recent U.S. tour... what were the best cities and why?

The best cities? There were a lot of good ones, man. There's a lot of places like Oklahoma City, you wouldn't think it would be such a kick-ass show in the middle of the tour, but it was! New York City shows are great, West Coast is always good for us, California shows are always good. I'd have to say those were probably the best shows.

Envenomed was an amazing album. Why does it seem like Envenomed, and even the reissued Envenomed II have such poor distribution; same answer as the live album?

Yeah.

That was the last album with your original singer Brett, did you know that he formed a new hardcore band called Down The Drain?

(laughs) Yeah, actually his band actually opened up for us on the Buffalo date, man! It was hilarious! Actually, Brett, I would never work with him again, you know, he sucks (laughs).

It was bad, because his band is actually worse than he is, man!

Yeah, they're horrible.

(laughs) And that's not saying much, but they were terrible! I was laughing my ass off watching them, it's like everybody was just confused (laughs). You see big, tall Brett up there headbanging, and there's these poor guys standing there like they're scared to death to play. The music was so lame, my God, I thought he would at least do something a little better than that. But I'm not really concerned about him, he's been a pain in my ass since the day I met him.

That's what I've read in other interviews, that his drug problems tore a lot of things apart.

Oh yeah, I mean, fuck! Everybody likes to party but that kid, it was just ridiculous (laughs). He lost interest in music after we did Retribution, he was just, I never thought that drugs and alcohol could actually tear someone to shreds like that (laughs) but it did, and it was getting old, it was getting stupid. And the end of the band almost happened a few times because of him.

That's terrible.

(laughs) You can't polish a turd, man, bottom line! I didn't want him to be the reason that this band fuckin' folded. It would kill me to know that that piece of shit was the reason the band ended, so fuck him!

You're fucking lucky that you found Kyle, he's an amazing vocalist.

Oh I know, I've never had a problem with him. His worst are better than Brett's best days, and he's been very loyal to us.

A couple more... first off, why do you think that so many of these European thrash and death bands from the old days like Kreator, Bolt Thrower, Destruction are still alive and well, putting out albums every couple of years, when many more of the best U.S. acts like Dark Angel, Demolition Hammer, Exhorder, shit like that, they all broke up long ago?

In Europe you know, there's a stronger demand for this kind of music, which probably helps them. There's a lot of great American thrash bands that we'll probably never see again, especially like Exhorder, that's a great fuckin' band. But you get frustrated if you're a metal band in America because everything's so trendy here, man, that heavier music gets overlooked, and record companies don't want to promote the heavier bands, it sucks. But in Europe, they're not so closed-minded. All styles of metal music are a lot bigger over in Europe. You have a band like Bolt Thrower, and if they don't play a show for five years, they play a show, it's gonna be a big show! (laughs) For us, we play a show here, and it's like big fuckin' deal! (laughs) There's a hundred people (laughs).

Before we close out, are there any bands you're into these days, any projects you're involved in that you want to plug, your label Arctic Music maybe?

Actually, Arctic, we're gonna be fuckin' folding it when December comes.

Really, why is that?

Ah, it's just taking too many fuckin' problems, too much work man, my lawyer, my partner is an attorney... criminal attorney... actually I think we're in talks about selling the label to a better label that can take some of the bands and help them out some more. I'm still interested in doing it, but without my partner's help, I just really couldn't do it on my own.

So what would happen to all the albums on that label like Envenomed II, Hateplow?

Oh ,we still have them, man, they'll still be available, but as far as signing new bands and stuff like that, it's not gonna happen anymore.

Fair enough. I want to thank you very much for your time, Phil.

Hey, no problem, Mike.

Stay safe and good luck in Puerto Rico.

Thanks a lot dude, take it easy.



// advertise // Copyright © Lambgoat.com 2000-2008. All Rights Reserved. 

Slipknot tour